Cultural Differences of Parent/Child Relationships
The creator of this article identifies five methods which Peters use to ascertain his cultural identification as an offspring of Indian immigrants living in Canada. The analysis largely focuses on Peters’ stereotypic evaluation of how the native Canadian parents treat their children and how Indian dad and mom do. There is use of an incident of Peters with his fictional character, Ryan discussed in length to demonstrate the relationships between mother and father and their children in various cultures. The article is important as it helps to consider the cultural differences between English-speaking people and those from different cultures.
Hirji, Faiza. "Somebody Going To Get Hurt Real Bad”: The Race-Based Comedy Of Russell Peters."Canadian Journal of Communication, vol 34, no. 4, 2009, CISP Journal Services, doi:10.22230/cjc.2009v34n4a2130.
As the title suggests, this article discuss how Peters use the issue of race in his comedy. It highlights that his popularity is largely attributed to ethnic-based humor and examines the limits of racial discourse in arts. The author mentions that Peters is good at skewing his fans with his abilities to imitate different accents, caricatures, and make jokes of the common stereotypes of various groups. As the analysis indicates, a racial-based comedy can validate racism as well as diminish it by discussing it openly. The article is helpful as it evaluates the potential of comedy as a platform for discussing matters of race.
Motapanyane, Maki. Capitalizing On Multiculturalism: Reading the Success of Canadian Comedian Russell Peters. Topia.
Motapanyane discusses Russell Peters’ success, attributing it to his capitalization on multiculturalism. The author begins by outlining the geographical fame and success of Peters in North America and acknowledges his nature of speaking the reality of multicultural diversity and identity in Canada. He shirks the troublesome of political restrictions and correctness to speak the truth. The article offers detailed information about Peters in his resume. It also expounds on his popularity and methods.
Putri, Maharani Widya et al. "Figurative Language in English Stand-Up Comedy." English Review: Journal Of English Education, vol 5, no. 1, 2016, pp. 115-130. University Of Kuningan, doi:10.25134/erjee.v5i1.396.
This document analyzes the figurative language used in stand-up comedy. It identifies the figurative language types and describes their functions based on the selected comedy videos used in the analysis. Most of the videos analyzed are from Peters’ performance and they are used to analyze the verbal language used by the comedian. An in-depth analysis of the verbal language used by Peters is linked to theoretical works of McArthur (1992) and Crystal (1994). The functions of figurative language in English stand-up comedy are drawn from other theorists such as Chunqi (2014). This is very crucial in linking comedy to literature and other theoretical works.
Stewart, Alicia W. "5 Questions with Comedian Russell Peters."CNN, 2013, http://edition.cnn.com/2013/10/16/living/identity-comedy-russell-peters-netflix/index.html.
This is Russell Peters’ interview with CNN. The source contains a video of the interview as well as a written report of the same. Peters’ personal life and his views on his comedy are the main subjects covered. He talks about his early life and how it influenced his career as a comedian. He also reveals his hidden aspects that his fans may not know. This source is very helpful as it provides first-hand information about Peters’ personal opinions on his comedy
Weaver, Simon. "Definitions of the Humorous In Chris Rock and Russell Peters Fan Blogs: A Discussion of the Problem of Incongruity."Journal of Audience & Reception Studies, vol 8, no. 2, 2011, pp. 257-275.Participations.
The author of this article examines the philosophy of humor as he outlines incongruities that differentiate performances that are deemed funny and those ones that are not. Incongruity is the main subject of discussion and it evaluates how comedy is developed, formation of comedy audience, and how and the extent to which humorousness is accepted by an audience. This article seeks to solve the issue of incongruity as it investigates how fans recognize what is funny, acceptable, as well as what they deem as offensive and unacceptable.
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