The Walking Man Artwork

The walking man art is a Swiss sculpture known as Alberto Giacometti. The statue was once auctioned in London house on January 12, 2010. It was offered at a price equivalent 65 million pounds. This price was 4 times more than the pre-sale charge expectation of the previous auctioneers. It set a new record as one of the high priced art to be sold after 20 years. The rate of the art also covered the buyer’s premium. Before it was sold at a price equivalent to 65 million pounds, a German banking corporation known as Commerzbank AG acquired the statue from Dresdner Bank in 2009. Dresdner Bank had obtained it in 1980. The bidding price for the Alberto Giacometti art can be described as an eight minutes first and furious business process. The bidding process comprises of 10 potential buyers battling for the ownership of a rare artwork presented in the saleroom. In that case, the walking man art became special because it met several formal elements of artistic work. The art itself is very sensational and portrays quality.

Walking man sculpture, which was made of bronze is different from what has been offered before. It is one of the most iconic figures because of the use of the correct technique. Its design entails both additive and subtractive elements. The walking man sculpture is three-dimensional in that the technique involving additive and subtractive aspects were properly used. Since it was made of bronze, subtractive aspect applied in that bronze materials were removed from the main part in obtaining the required shape and correct finish. Also, an additive approach was applied in the process because there are some parts of walking sculpture, which required an addition of more materials to create the right shape and correct finish. Apart from additive and subtractive technique, the sculpture would not have been complete without the involvement of other techniques such as modeling, casting, carving, and construction.

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Carving is somehow one of the types of subtractive technique. Carving was the basic technique applied in giving walking sculpture the correct shape. In that case, excessive bronze materials were removed. On the other hand, modeling was applied to add bronze materials to where there were small amounts, with the objective of producing a uniform sculpture. Moreover, the complex parts of the walking man sculpture were completed through casting.  For that reason, the molten bronze was cast to the desired shape, which contributed to the final shape of the walking man sculpture. However, designing of the walking man sculpture to the correct shape would not have been possible without construction technique. It is somehow the last technique after casting. It entails activities such as gluing, nailing, and welding of the materials together. After all, the objective is to achieve the desired shape.

The fact that the walking man sculpture was made of bronze contributed to its value. Bronze is expensive, and it requires high level of skills and technique when casting the expected sculpture to the correct shape and size. In that case, the artist who made the walking man sculpture, Alberto Giacometti was much concern with details required in the sculpture, size, shape, cost of material, and any element, which require painting. Also, the art is a free-standing sculpture. This implies that viewers can see it from all directions, including the three-dimensional view.

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Additionally, the artist implemented the element of direction. The sculpture has illustrated the assumption that the direction of light came the above. Therefore, it favored the assumption that earth is the universal source of light. Thus, when viewing the walking man sculpture in the place where there is light, its shadow must be present, and according to the picture, the shadow is towards the left. Perhaps, this is an indication of lighting biases because even introducing a new source of illumination will not change the shadow direction of the three-dimensional sculpture. Still, the issue of left lighting biases in sculptures can be rectified. It is just a matter of combining vertical, dimensional, and lateral light for the art or sculpture to obtain the most aesthetic and pleasing view.

In addition to the direction of light, directional force is also portrayed in the walking man sculpture. It implies that when an individual view the sculpture, the eye is automatically lead through to the design composition (Lucy). In that case, most of the viewers had created interest and found themselves engaging with the artwork. This implies that there was a good relationship between all of the aspects of the sculpture. Possibly, high bargaining power, which was experienced during the auction was as a result of directional force. Eyes of the viewers were led through to the walking man sculpture. In that case, they were able to notice relationships that existed between various features of sculpture like the direction it faced, size, and height as well.

In conclusion, the walking man sculpture was special because it was established by following the simple elements of the artwork. This include selection of material, techniques for producing the correct shape, lightning biases, light direction, and directional force.

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Works Cited

Lucy Lamp. Design in Art: Directional Force. 2016. https://www.sophia.org/tutorials/design-in-art-directional-force

http://artpulsemagazine.com/wp-content/uploads/2010/07/lot-8-giacometti-lhomme-quiz-marche-i-a.gif

https://www.antiquestradegazette.com/news/2010/what-makes-the-58m-walking-man-so-special/